Commons:Undeletion requests

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On this page, users can ask for a deleted page or file (hereafter, "file") to be restored. Users can comment on requests by leaving remarks such as keep deleted or undelete along with their reasoning.

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Commons deletion (policy)

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(Missing: 0 timestamps • 0 reasons • 3 subpages) • 0 malformed

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121 copyvios • 3 duplicates • 219 selfies • 13 others

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Finding out why a file was deleted

First, check the deletion log and find out why the file was deleted. Also use the What links here feature to see if there are any discussions linking to the deleted file. If you uploaded the file, see if there are any messages on your user talk page explaining the deletion. Secondly, please read the deletion policy, the project scope policy, and the licensing policy again to find out why the file might not be allowed on Commons.

If the reason given is not clear or you dispute it, you can contact the deleting administrator to ask them to explain or give them new evidence against the reason for deletion. You can also contact any other active administrator (perhaps one that speaks your native language)—most should be happy to help, and if a mistake had been made, rectify the situation.

Appealing a deletion

Deletions which are correct based on the current deletion, project scope and licensing policies will not be undone. Proposals to change the policies may be done on their talk pages.

If you believe the file in question was neither a copyright violation nor outside the current project scope:

• You may want to discuss with the administrator who deleted the file. You can ask the administrator for a detailed explanation or show evidence to support undeletion.
• If you do not wish to contact anyone directly, or if an individual administrator has declined undeletion, or if you want an opportunity for more people to participate in the discussion, you can request undeletion on this page.
• If the file was deleted for missing evidence of licensing permission from the copyright holder, please follow the procedure for submitting permission evidence. If you have already done that, there is no need to request undeletion here. If the submitted permission is in order, the file will be restored when the permission is processed. Please be patient, as this may take several weeks depending on the current workload and available volunteers.
• If some information is missing in the deleted image description, you may be asked some questions. It is generally expected that such questions are responded in the following 24 hours.

Temporary undeletion

Files may be temporarily undeleted either to assist an undeletion discussion of that file or to allow transfer to a project that permits fair use. Use the template {{Request temporary undeletion}} in the relevant undeletion request, and provide an explanation.

1. if the temporary undeletion is to assist discussion, explain why it would be useful for the discussion to undelete the file temporarily, or
2. if the temporary undeletion is to allow transfer to a fair use project, state which project you intend to transfer the file to and link to the project's fair use statement.

To assist discussion

Files may be temporarily undeleted to assist discussion if it is difficult for users to decide on whether an undeletion request should be granted without having access to the file. Where a description of the file or quotation from the file description page is sufficient, an administrator may provide this instead of granting the temporary undeletion request. Requests may be rejected if it is felt that the usefulness to the discussion is outweighed by other factors (such as restoring, even temporarily, files where there are substantial concerns relating to Commons:Photographs of identifiable people). Files temporarily undeleted to assist discussion will be deleted again after thirty days, or when the undeletion request is closed (whichever is sooner).

To allow transfer of fair use content to another project

Unlike English Wikipedia and a few other Wikimedia projects, Commons does not accept non-free content with reference to fair use provisions. If a deleted file meets the fair use requirements of another Wikimedia project, users can request temporary undeletion in order to transfer the file there. These requests can usually be handled speedily (without discussion). Files temporarily undeleted for transfer purposes will be deleted again after two days. When requesting temporary undeletion, please state which project you intend to transfer the file to and link to the project's fair use statement.

Projects that accept fair use

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Adding a request

First, ensure that you have attempted to find out why the file was deleted. Next, please read these instructions for how to write the request before proceeding to add it:

• Do not request undeletion of a file that has not been deleted.
• Do not post e-mail or telephone numbers to yourself or others.
• In the Subject: field, enter an appropriate subject. If you are requesting undeletion of a single file, a heading like [[:File:DeletedFile.jpg]] is advisable. (Remember the initial colon in the link.)
• Identify the file(s) for which you are requesting undeletion and provide image links (see above). If you don't know the exact name, give as much information as you can. Requests that fail to provide information about what is to be undeleted may be archived without further notice.
• State the reason(s) for the requested undeletion.
• Sign your request using four tilde characters (~~~~). If you have an account at Commons, log in first. If you were the one to upload the file in question, this can help administrators to identify it.

Add the request to the bottom of the page. Click here to open the page where you should add your request. Alternatively, you can click the "edit" link next to the current date below. Watch your request's section for updates.

Closing discussions

In general, discussions should be closed only by administrators.

Instructions for administrators

Use common sense. If, for example, a file was deleted for missing a source, and the requesting user is the photographer, the file can be undeleted without further discussion. If the user wishes to tag a file with a certain license, you can do that for them if you want to, or leave it to them to do it. However, it is important that you remove any speedy deletion templates from the file. In general, try to comply with the requests of well-intending users. Files can, for example, be undeleted for the requesting user to look at without the request itself having to be closed. The deleting administrator may undelete the file if compelled by the arguments or information provided. The deleting administrator may also participate in the discussion. The deleting administrator should, however, not close contentious requests as "Not done." When a debate is settled, close it with a remark such as "Not done" or "Undeleted" and add the template {{Udelh}} above the header and the template {{Udelf}} below your own comment. (The templates are short for "undelete header" and "footer.") Closed requests are automatically archived. When undeleting a file, reference the discussion (for example "Per https://commons.wikimedia.org/w/index.php?title=Commons:Undeletion_requests/Current_requests&oldid=nnnnnnnn#Heading"). Files temporarily undeleted for transfer purposes should be tagged with {{Temporarily undeleted|transfer=yes}}. This places them into Temporarily undeleted files, a subcategory of Candidates for deletion, and automatically nominates them for speedy deletion after two days. Files temporarily undeleted to assist discussion should be tagged with {{Temporarily undeleted}}. These are automatically nominated for speedy deletion after thirty days.

Archives

Closed undeletion debates are archived daily.

Current requests

File:Minskip 2 September 2023 (135).JPG and File:Minskip 2 September 2023 (17).JPG

The above files were deleted in error, due to a misunderstanding about British law and about the identity of the photographic subject. These deleted items were part of a now-resolved dispute about photographic copyright in the context of scarecrow festivals in the United Kingdom. The dispute has now been resolved and fully explained at great length here: Commons:Deletion requests/Files uploaded by Storye book. You will need to read through the latter discussion in order to fully understand the situation, but here is a very brief summary: Photographing scarecrow festivals in public-access places in the UK, and publishing such photos on Commons, is legal in the UK.

Re toys:

• Objects which may look like toys in scarecrow festivals are not toys; their creators' intention is part of the scarecrow festival creation. Toys are defined normally as children's (or sometimes adults') playthings, but stuffed animals in scarecrow festivals are created as part of the scarecrow festival tableaux, e.g. farmers with sheep, Cruella de Ville with dogs, the Pied Piper with rats, and so on. The stuffed animals in scarecrow festivals are home made. They are not commercial objects, and that point matters in British courts. Also, British courts do not inflict punitive damages in copyright cases; it is the US punitive damages which give rise to the million-dollar damages awards that we hear about; that does not happen in UK courts.
• This matters in copyright law in the UK, because only the designer's printed pattern, and the designer's own (usually unique and single) hand-made example are copyrighted. home-crafters who buy designer's patterns for home craft purposes and make a stuffy have not made an object copyrighted by the designer. I know that because I am a knitting pattern designer myself. The language and photographs in my written designs, and my own hand-made examples, are under my own copyright, as are my own photos of my own work. But my customers' creations are not under my copyright at all. No designer would want that, partly because no customer is going to make it in exactly the same way, but mostly because a lot of customers make an embarrassingly awful job of the sewing-up. As far as I am aware, no case has ever been brought to court by a home crafter who has knitted from a knitting pattern using e.g. a new colour, and then their neighbour has knitted from the same design and used the same new colour, etc. etc. Storye book (talk) 11:08, 9 June 2024 (UTC)

Related DRs: Commons:Deletion requests/File:Minskip 2 September 2023 (135).JPG and Commons:Deletion requests/File:Minskip 2 September 2023 (17).JPG. Yann (talk) 11:32, 9 June 2024 (UTC)

 Oppose These are copyrighted in the UK and the USA. The facts that they are plush and were made for a festival are irrelevant to the basic fact that they are created works of art and do not have a utilitarian use and therefore are copyrighted in both countries. The fact that no case has been brought or that the UK courts do not award substantial damages are also irrelevant. The fact that they are not commercial objects is also irrelevant.

The 1988 Copyright Act is quite clear:

1 (1) Copyright is a property right which subsists in accordance with this Part in the following descriptions of work --

(a) original literary, dramatic, musical or artistic works,

(snip)

4 (1) In this Part "artistic work" means --

(a) a graphic work, photograph, sculpture or collage, irrespective of artistic quality

(b) ...

(c) a work of artistic craftsmanship.

One might argue whether these are sculptures or works of artistic craftsmanship, but it is clear they are one or the other, or both. Note that there is no requirement that they be commercial works or, indeed, that they have any artistic quality.

Therefore, we cannot keep images of them on Commons without the explicit permission of the creator. .     Jim . . . (Jameslwoodward) (talk to me) 16:49, 9 June 2024 (UTC)

Jim, we have already been through this, and you lost the case (see above link to discussion). I have discussed this with the relevant solicitors, as I described on the abovementioned discussion. British courts do not define works of art and they do not define artists, because the definition of art is a moot point. You are wasting your time talking about art, artists and sculpture.

It is intention which is taken into consideration in British courts. The intention here is to create a temporary tableau for the scarecrow festival, and these items were part of a tableau of silly non-artistic objects made of clumsy bags of straw and intended for imminent destruction. The non-commercial aspect does matter, because in British courts on this subject, it is the potential gain or loss of money which is quantifiable, and it is that which is taken into consideration. Thus, if the items had been made for sale (which they have not), there would have been potential for quantifiable gain or loss (which there is not). Unlike in the US, British courts do not inflict punitive damages, as I have said above. Therefore there would be no basis for a court case regarding my photography of these scarecrow tableau objects.

When these photographs were deleted, that was the point of loss for the villagers who made the objects, because they no longer had access to photographs of their now-destroyed works. If the photographs were still available online, they could still be using those same photographs to advertise the next scarecrow festival, and they could still be using those photographs for their own records.

I strongly recommend that from now on you save your efforts for matters regarding US law, and leave British law to those who are in the know. It is obvious that the objects in the photograph are not graphic works or collages. We have already established in discussion that a scarecrow is not, and never can be, a sculpture. Please now step back and let others discuss this. Storye book (talk) 17:19, 9 June 2024 (UTC)

 Oppose Wikimedia Commons is hosted in the United States, and files hosted here must be allowed to be used by anyone for any purpose. These objects are copyrighted, it does not matter one whit if the objects are non-commercial or not, there are works that has been fixed in a tangible medium of creative expression. Since the display is not permanent, they don't benefit from FOP. Abzeronow (talk) 19:21, 9 June 2024 (UTC)

Please don't be condescending -- it just makes the target angry and doesn't get you anywhere. I think you are wrong on British law as these are clearly artistic works, but the point is moot. It is perfectly clear that they have a copyright in the USA and therefore the images cannot be kept here. .     Jim . . . (Jameslwoodward) (talk to me) 19:46, 9 June 2024 (UTC)

They are not copyright in the USA as the objects are traditional effigies, which in this case are not sculptures. That means that they are utilitarian. Effigies can be scarecrows in a field, which are utilitarian as bird-scarers. They can be guys in British Fireworks Night, where they are children's money-raisers for the purchase of fireworks, or (at Lewes, for example) dressed up to mock famous people. Traditionally, they were used in dimity rides, as described in Hardy's Mayor of Casterbridge, where (again) they were dressed up to mock or embarrass people who had committed a social faux pas. They can be voodoo dolls, i.e. symbols of enemies, which some people used to stick pins in, in the hope that the enemy would feel pain. These examples are all utilitarian, in that they are used to symbolise something, for some further purpose, In the case of festival scarecrows, they bring the inhabitants of a village together for fun, and are used to attract visitors who may then pay money for charity, for a trail map, and usually also for tea and snacks. As for the art, that is in my ph9togrpahy. There is no Commons rule demanding the deletion of photographs such as this File:Rababou 2006.jpg, and I would like to know how my photos of festival scarecrows are a different case from that photograph (and all the other thousands of photographs like it, on Commons). Storye book (talk) 08:30, 10 June 2024 (UTC)

 Comment To me, these two files differ from some of the original effigies mentioned because they apparently utilise toys that have copyright, rather than creations that in themselves would appear not to cause copyright that the requestor identifies. The images mentioned both have clearly identifiable toys that are not de minimis and while may be effigies still essentially look like shop-bought toys, and there is no clear evidence that they are not shop-bought (PCP).  — billinghurst sDrewth 22:32, 16 June 2024 (UTC)

@Billinghurst: I cannot see the pictures because they have been deleted. I uploaded hundreds of festival scarecrow pictures, as you know. Are they dalmatians (white dogs with black spots) or are they the weird stylised yellow and black bees out of the Winnie the Pooh story? If they are the dalmatians, then I accept that you cannot see whether they are shop bought or not, although I can, because I used to make them when I was a child. If they are the bees, then they are definitely hand made for one of the festival tableaux - the bees are far too scruffy and far too large to be toys (bigger than a toddler). One of the bees, if it is a re-used commercial item, then it was almost certainly made as a footstool, being very roughly hemispherical and about 1.5ft long and about a foot high - so never a toy. If they are something else, then please tell me. Thank you. Storye book (talk) 08:46, 17 June 2024 (UTC)

@Storye book: The first is a "bee", the second is of two white with black spots dogs. Yann (talk) 09:00, 17 June 2024 (UTC)

Thank you, Yann. Then, in that case, the bee is definitely an exhibition item made for that purpose. I really don't see how it can be seen as a toy. Too big, too scruffy, unsaleable as a toy. The bee with the scary mouth is 2-3 feet long, and would be unsuitable and unsafe for toddler handling, anyway, and the hemispherical one is almost certainly made as a footstool. As for Disney copyright, well, Disney lost copyright for Winnie the Pooh some time ago. That fact was reported in the Guardian newspaper. Storye book (talk) 09:39, 17 June 2024 (UTC)

It doesn't matter whether it can be used as a toy or not -- and some toys are very big, and toys are not limited to toddlers. It also doesn't matter whether is was a one-off made by an individual or one of hundreds coming out of a factory and sold in shops. It has a US copyright as a sculpture and almost certainly a UK copyright as well, notwithstanding the claims above. .     Jim . . . (Jameslwoodward) (talk to me) 14:50, 19 June 2024 (UTC)

It has now been established in another deletion request started by you here, that UK courts do not recognise artistic identity as a legal argument in copyright cases, and that scarecrow festival exhibits are not sculptures. These items at issue here do not have US copyrights; this is a UK issue, whether this is a US platform or not. Regarding the existing perspective of this US platform: if British photographs taken in the UK under UK laws are not subject to US laws (which they are not) then we have to deal with this under UK law. If our photographs were really subject only to US law, then this platform would not be taking into account our 70-years-deceased law for creative copyright of 2D artworks (which it does), or our Freedom of Panorama (which it does). Storye book (talk) 15:11, 19 June 2024 (UTC)

You have made those claims in other deletion requests. British photographs taken in the UK under UK laws are subject to US laws in the US, and have been for over a hundred years, a point only emphasized by the US signature of the Berne Convention that the UK was one of the founding creators of. Commons also pays attention to UK law for UK photographs; it's not just one or the other. COM:L says "Wikimedia Commons only accepts media ... that are in the public domain in at least the United States and in the source country of the work." (Italics in the original.) While this is a rule often ignored, it's still a rule. Freedom of panorama is a whole different can of worms.--Prosfilaes (talk) 15:10, 23 June 2024 (UTC)

I agree with that, Prosfilaes. I was only replying in general terms to a distracting comment by another editor. The point here is that the bees at issue here are not definable as toys in any country, because they were not made as toys, and cannot be used as toys. They are filled with unhygienic straw, for a start, and would quickly break apart, which is why festival scarecrows in the UK are routinely destroyed or dismantled within days of creation. If you try to overwinter them in the garden shed, they fill with insects and other wildlife due to the straw content. The 2024 BBC Springwatch programme featured one of them which was overwintered in a shed, and by spring it had acquired a robin's nest in its head, complete with eggs and sitting robin. Also, because Disney has lost copyright to Winnie the Pooh, the bees in that Winnie the Pooh tableau are not affected by Disney copyright. That is the information that pertains to the bee picture, according to the law in both countries. Storye book (talk) 15:26, 23 June 2024 (UTC)

Again, whether or not they are toys is completely irrelevant, as is whether or not they are derivative works of a movie character. Each of them certainly has its own USA copyright as a sculpture and, notwithstanding the claims made here, almost certainly has a UK copyright as well. This is black letter law folks -- this should have been closed a long while ago. .     Jim . . . (Jameslwoodward) (talk to me) 16:07, 23 June 2024 (UTC)

You have already been told by a number of people that festival scarecrows are not sculptures. Storye book (talk) 16:20, 23 June 2024 (UTC)

And again, you make that claim without any evidence. The copyright rules are very broadly interpreted -- a computer program is "literature" and sculptures made of butter, ice, and sand, as well as more traditional media all have copyrights. Why, somehow, does a festival scarecrow not have one? .     Jim . . . (Jameslwoodward) (talk to me) 13:45, 24 June 2024 (UTC)

Yes, I agree that certain people do interpret copyright rules broadly. But in law, words do have to be defined.

For example: toys. Toys are defined as human-designed objects originally intended as toys. Thus a plastic water pistol in the shape of a gun is a toy gun, but a real gun is not a toy. If a toddler takes his mother's real gun out of her handbag (purse) and has fun playing with it and ends up shooting her with it (as has happened, sadly), the real gun has been misused as a plaything but has never been a toy. From that we can see that an object used as a plaything but originally intended for another purpose is not a toy as defined in law. The manufacturer of the deceased mother's gun will not be prosecuted for creating a lethal toy.

Similarly, if a villager creates a straw-stuffed scarecrow bee for their scarecrow-festival tableau, the bee is an effigy for temporary exhibition purposes. It is not a toy (even if the kid next door grabs it and kicks it around as a football) and it is not a sculpture, because it was not designed as a toy or sculpture.

The law in the UK and the US both take original intention into consideration. Killing is a good example of intention being taken into consideration. The serial killer with his known modus operandi (MO) and his car-full of gaffer tape, poisons, ropes, hunting knives and guns may fairly be accused of intention to kill. But the horrified mother who has accidentally backed her car over her child when witnesses confirm that she believed the child was inside the house, is unlikely to be accused of intention to kill.

Therefore, to answer your question, if a sculptor creates an ice sculpture for the ice festival in Ottawa, then that is his intention, and that is a sculpture. If a kid plays with the food on his plate and temporarily makes it look like a face, before eating it, it is not a sculpture. That is because the sculptor is intending to made a sculpture, but the kid is using his food as a plaything, or as a way of winding up his mother. Regarding the issue here, if a villager makes a scarecrow effigy, that scarecrow by definition is supposed to be a badly-made effigy because that is what a scarecrow is. The whole point of a scarecrow is that it is not intended to be a sculpture or any other kind of art, and it is certainly not intended to be a toy. Storye book (talk) 08:21, 25 June 2024 (UTC)

And again, you keep making the claim that they are not sculptures, but have not and cannot cite either statute or case law to prove your point. Carl would you comment here? .     Jim . . . (Jameslwoodward) (talk to me) 13:26, 25 June 2024 (UTC)

I don't know any written law which cites what things are not. There would be an infinite list of nots if they tried. Anyway, aren't you bringing this discussion off the point? The above two files were deleted on the grounds of being toys. Any argument for deletion or undeletion of those files ought to be about that. Storye book (talk) 08:52, 26 June 2024 (UTC)

There's no point in undeleting something to just start a DR on it, so we have to look at the whole picture. In general, toys fall under sculpture in copyright law, because copyright law is pretty general. I don't see any reason why these wouldn't fall under sculpture as well, as three dimensional constructions for artistic purposes.--Prosfilaes (talk) 09:54, 7 July 2024 (UTC)

@Prosfilaes: Your "whole picture" is not the whole picture. I accept that the dalmatian dog picture can be mistaken for toys, although they were not made for that purpose. I accept that that one may remain deleted. I have already said that. But the bees are very large, and if you were there you would have seen that they are scruffy bags of straw and totally unusable as toys. They were never intended as toys, sculptures or any kind of artworks. They were intended as destructible scarecrows. A scarecrow by definition is an object carelessly thrown together as a temporary effigy. The whole point of them is that they are not an artwork, and are intended as a non-artwork. It is the camera work which is artistic. The real problem that we have in this discussion is that only one or two people have been able to see the original pictures. So all those who have not seen the original pictues are talking out of their hats. I repeat, the dogs can possibly be mistaken as toys, fair enough (if that is the picture that I think it is?). But the bees cannot be mistaken as toys. I did not photograph any bees which look like toys, or which could be used as playthings. You couldn't even kick them around the yard, because they would fall apart. Storye book (talk) 14:52, 7 July 2024 (UTC)

Forget about toys. They're sculptures. If a kid plays with the food on his plate and temporarily makes it look like a face, it's sculpture. It might not qualify for copyright under the “perceived, reproduced, or otherwise communicated for a period of more than a transitory duration” rule, but the US Copyright Office specifically lists "Edible materials, such as a molded chocolate rabbit or a frosting design on a cake" as eligible, right below "“Soft sculptures,” such as stuffed animals and puppets" Compendium of Copyright Practices (section 704). Note there's no section about toys; section 910 is called "Games, Toys, Dolls, Stuffed Animals, and Puppets" and starts "This Section discusses certain issues that commonly arise with toys, dolls, stuffed animals, puppets, and other sculptural works." When you build something and put it on display as an effigy, it likely falls under the category of sculpture, provided there was human input and it's not a useful item.--Prosfilaes (talk) 20:11, 7 July 2024 (UTC)

The word "likely" is significant, then. It means that the subject is up for doubt and discussion. Also, please explain to me why only my photographs have been targeted for deletion, and why only my photographs have been targeted now. It is illogical to say that only the photographs at issue in this discussion matter, and it is illogical in the context that none of the thousands of other effigy and scarecrow pictures on WP (which to my knowledge have never been disputed since WP started) have been targeted for deletion. Therefore this discussion gives the impression that my work on scarecrows is being targeted for vexatious reasons.

That leads me to wonder why you are discussing this without showing us what you are discussing. If you were to reveal the bees picture, your statements about toys and sculpture would be less convincing.

It is not the case that WP respects only US law when judging copyright violation on Commons. If you believed that US law overrides UK law in all cases, then you would not have allowed UK panoramafreiheit, and you would not have allowed the UK's 70-year death rule. UK courts do not inflict punitive damages. Judgements on copyright cases in the UK consider only specific financial losses, which are quantitative. That is to say, if an advertiser were to use my photographs of a scarecrow to make money, then the judgement would be about any moneys that the scarecrow-creator could have made with the scarecrow, but cannot make due to advertiser-behaviour. Because these scarecrows are in themselves non-commercial, then it is doubtvul whether any scarecrow-creator could ever have made money which amounts to more than court costs. Also, UK courts do not define art, artists or sculpture because art is a moot point, which can never be resolved and is not quantifiable like money. That is why I am disputing your arguments. Storye book (talk) 08:02, 8 July 2024 (UTC)

COM:L says works must be PD in the US and their country of origin. You're arguing instead of listening, and arguing with the world experts on Commons license policy on that subject is silly.--Prosfilaes (talk) 12:46, 17 July 2024 (UTC)

Whom one disputes with is not a premise on which to judge an argument. What we have here is a number of attempts to delete my photographs on new grounds, which have never (to my knowledge) been used on the many thousands of similar photographs which have been uploaded to Commons since Commons began. I asked above what is the difference between much older, still-existing, photographs of effigies, scarecrows, etc., and my photographs of scarecrows. And I received no answer. It is not enough in this circumstance to say that we only consider the photographs at issue here. A parallel in civic life might be that up to now no man has been indicted in any court anywhere for simply looking at another man's wife, then suddenly, without any change in the law, non-lawyers are able to indict or imprison one particular man for looking at another man's wife. To put it another way, there is no precedence for what you are doing here. So please explain what is the difference between my photographs and all the other photographs of scarecrows, and why only my photographs, after all these years, have been singled out for deletion on grounds which (in your terms) would fit thousands, if not millions of pre-existing photos on Commons? Storye book (talk) 14:02, 17 July 2024 (UTC)

 Comment I have always thought that considering these very simple objects as sculptures with a copyright is farfetched. Now I don't know how this translates to legal arguments, but Storye book made one above. If these objects are not considered copyrighted by UK law, why should we do so? Yann (talk) 12:24, 15 July 2024 (UTC)

I've always had a problem when certain people are considered artists and get copyright respected for every little thing, but the average person is just making "very simple objects". I question whether Storye book's interpretation of the UK law is correct. Certainly in the US these would have copyright, and that is the law that the WMF would be sued under. Also, we have several people well versed in US law; it doesn't seem we have anyone nearly as well versed in UK law, so trying to use the UK law solely makes it harder here.--Prosfilaes (talk) 11:39, 17 July 2024 (UTC)

For what is worth, we sometimes deny copyright to claimed "artistic" works. A recent case from memory: Category:On Kawara. I agree that there is no reason to use a different standard for famous artists and other people. Yann (talk) 14:26, 17 July 2024 (UTC)

@Yann: Hehe, yes, that example is something a lot of us would like to judge as non-art. I think that comes from the old definition of art as specific skill(s), rather than the more recent infinity of interpretations. That is why British courts decline to define art - because there could be no conclusion to it all - today it is all about opinion. But, back to the subject at hand, here. A British court would weigh up the question of who would lose what, and who would win what, if the court dismissed the case, or if it awarded something to plaintiff or defendant. In this case, if British village scarecrow-festival images were deleted, the creators of the scarecrows would lose out, because (1) they would no longer have good-quality available and shareable pictures of their creations for free, and (2) they would no longer have ditto photographs to use in promotion of the next scarecrow festival. It would be a long stretch to imagine that advertisers and other moneymakers would bother to use the images for money, or that they could make more money doing that than the cost of a court case, but if they did, they would be doing no harm to the creators, so who cares? Because British courts (unlike US courts) do not inflict punitive damages, there would be no case to answer, so a British court and/or lawyers would not pursue such a case. People are wasting their time here, on this subject of British scarecrow festivals. Storye book (talk) 14:46, 17 July 2024 (UTC)

File:Statue of King Sejong (4273003660).jpg

I am writing to request the undeletion of the file "File:Statue of King Sejong (4273003660).jpg" on the following grounds:

• Implicit Permission for This Specific Derivative Work: The South Korean government owns both the statue and photograph. By releasing the photograph of the statue under the CC BY-SA 2.0 license, it has granted implicit permission to itself for this specific derivative work (the photograph). This permission covers the commercial use of this particular image, not necessarily the statue in general.

• Explicit License of the Photograph: The CC BY-SA 2.0 license explicitly allows for commercial use of the photograph. Since the government controls both the statue and the photograph, the release of the photograph under this license implies consent for its commercial use, specifically for this image.

• Redundancy of FoP Argument: Given that the government has the authority to license both the photograph and the statue, and has chosen to do so for this specific image, the need for Freedom of Panorama provisions is sidestepped. The implicit permissions granted for this derivative work should suffice to meet Wikimedia Commons’ licensing requirements.

In light that FoP was the original grounds for deletion, which does not apply when a specific derivative license has been obtained, I respectfully request the undeletion of the file "File:Statue of King Sejong (4273003660).jpg" The permissions implied by the South Korean government for this specific photograph should allow for its inclusion on Wikimedia Commons under the specified license. It is one of the few photos released by the government that has the commercial use provision.

Many thanks,

--Nonabelian (talk) 21:48, 2 July 2024 (UTC)

Can't access the third article, but from the reading of the two articles by Korea Times, these talk about the government building the statue. There is no mention of anything that states the sculptor has waived his copyright on the sculpture. Though I will ping to Korean-speaking users here for added comments @Explicit and Ox1997cow: . JWilz12345 (Talk|Contrib's.) 00:49, 3 July 2024 (UTC)

@Nonabelian you must provide a proof that a contract existed between the government and the sculptor that mandated the latter to waive all of his copyrights. Article 24-2(1) of the copyright law states (with emphasis): A work produced as part of official duties and already made public by the State or a local government, or a work of which the author's economic right is owned in its entirety by the State or a local government under a contract, may be used without permission. It is the uploader's responsibility (per COM:EVIDENCE) to provide a copy of such contract; in this case, between the government and the sculptor. JWilz12345 ('|Contrib's.) 02:14, 3 July 2024 (UTC)

@JWilz12345. Thanks for responding. The sculptor is Kim Young-won and has explicitly transferred the copyright of the King Sejong statue to the Seoul Metropolitan Government. This transfer includes all rights to control the reproduction and commercial use of the statue. The transfer contract is documented by local news sources and the current licensing agency. I hope this helps. Nonabelian (talk) 06:58, 3 July 2024 (UTC)

@Nonabelian there's a problem. The public monument does not appear to be in public domain, even under government ownership. In the fifth source you presented, a part states (translated to English): "The city announced on the 4th that it had decided to entrust the management of the copyrights of the two statues to the Korea Database Agency (KDB), an organization under the Ministry of Culture, Sports and Tourism. Accordingly, in the future, if you wish to use the two statues for commercial purposes or to take pictures of works for sale, you must consult with KDB and obtain permission to use them. There are no restrictions on personal commemorative photos.

More parts of the article explain the rationale of having the need to secure permission for commercial uses of the images of the public monument: donation of the proceeds collected from the users. In effect, I doubt it is "legally safe" to restore images of this copyrighted public monument, at least this Flickr import from KOREA.NET Flickr page, allegedly the "official page of the Republic of Korea". Are the administrators behind KOREA.NET Flickr uploader the same as the people within the current copyright holder, the Korea Database Agency (KDB), or the Ministry of Culture, Sports and Tourism? Did KOREA.NET had the legal licensing authorization from KDB or the ministry? The sources you provided are convincing but opened more questions.

It has been normal for many freely-licensed Korean government images to incorporate copyrighted buildings and monuments, to the extent contradicting with the original licensing contracts and with their very own copyright law itself that prohibits commercial uses of their public monuments under copyright protection. JWilz12345 (Talk|Contrib's.) 07:16, 3 July 2024 (UTC)

@JWilz12345 Thanks once more for continuing to look at this. The Flickr account, KOREA.NET, is run by the Korean Culture and Information Service (KOCIS) of the Ministry of Culture, Sports and Tourism. Similarly, as you point out, the Korea Database Agency (KDB) is also an organization under the Ministry of Culture, Sports and Tourism. i.e. both the specific derivative photo and the licensing of the statue in general are run by the same branch of the Korean government. I hope this will suffice to show there is no issue with this particular photo. Nonabelian (talk) 08:06, 3 July 2024 (UTC)

@Nonabelian as you said, KDB is under the Ministry of Culture. But similarly, KOREA.NET is under KOCIS of the same ministry. It seems both KDB and KOCIS are different "sub-agencies" or branches under the ministry, yet sources claim the sole licensing holder for the monument is KDB. Does the licensing right of KDB extends to KOCIS? JWilz12345 (Talk|Contrib's.) 09:11, 3 July 2024 (UTC)

@JWilz12345: I believe it does, yes. Licensing was managed by KDB via their 'Public Copyright Creative Resource Project' (ALRIGHT) system. However, in 2013 the 'Public Copyright Creative Resource Project' was transferred from the KDB (of the Ministry of Culture, Sports and Tourism) to the Korea Culture Information Service Agency (of the Ministry of Culture, Sports and Tourism). Consequently, the public copyright trust management services previously provided by KDB were terminated. I don't think this should matter however: the Ministry of Culture, Sports and Tourism, which controls all of the departments we are talking about here, looks to have special privileges for issuing licenses for public copyrighted works under Article 2-2 and 105 of the Copyright Act. This alignment of government departments, ministries and statute indicates consistency in the authorization process. If the Ministry of Culture, Sports and Tourism issues a photo under CC BY-SA 2.0 of a statue for which it also manages the copyright for, it is legally permissible to use. Nonabelian (talk) 14:31, 3 July 2024 (UTC)

@Nonabelian there is one more problem here. The KOCIS image was uploaded to Flickr in 2010, during the time when KDB was the sole copyright license holder. The copyright license holder-ship was transferred to the Ministry itself three years later. Is the licensing by KOCIS valid, even if they were not the license holder way back in 2010 (upload date), just because of being a sister "sub-agency" of the Ministry?

And final question, will that free license from KOCIS be honored in Korean and U.S. courts? Suppose a U.S. user manufactured T-shirts bearing prints of the monument, using this Flickr import as the basis. Then the Ministry files a complaint in a U.S. court, claiming they used the monument without licensing permission; the re-user claims they used this Flickr image under a commercial CC license. As per {{Not-free-US-FOP}}, in most cases only sculptural monuments from countries with valid, commercial FoP can be hosted here, but this warning tag is highly-encouraged as the U.S. does not provide any FoP for such works, and U.S. courts may lean to U.S. laws instead of Korean or other foreign laws for decisions concerning sculptural monuments. It is more of a legal risk if the country does not provide commercial FoP in the first place. JWilz12345 (Talk|Contrib's.) 22:29, 3 July 2024 (UTC)

@JWilz12345: I appreciate you being willing to volunteer more time on this request. Here are my current thoughts on the points you’ve raised, which I hope adequately address any remaining concerns.

Timeline

• January 14, 2010: The Flickr photo was uploaded by the Korean Culture and Information Service (KOCIS), under the Ministry of Culture, Sports and Tourism (MCST), and initially licensed under CC BY-NC-ND 2.0 (viewable on the license history on Flickr). This is a non-commercial license consistent with Article 35 of the Copyright Act.
• May 26, 2011: The Seoul Metropolitan Government acquired full copyright interest in the statue, with the original sculptor waiving his rights. Photos can now be freely licensed as per Article 24-2 of the Copyright Act, covering public works and has no commercial use restrictions.
• December 4, 2011: The statue was registered with the Korean Copyright Commission, transferring copyright management to the Korea Database Agency (KDB) also under the MCST per Article 105. Given this, Article 24-2 §1.4 applies, now restricting free images without permission, but §3 still allows state/local governments to continue to license images freely for any necessary purposes, ensuring continuity for the Flickr photo.
• July 1, 2013: Copyright duties for public works were transferred from KDB to another department of MCST, under Article 105. MCST's statutory authority under Article 2-2 ensures it is entitled to do this.
• March 20, 2014: KOCIS of the MCST changed the Flickr photo's license to CC BY-SA 2.0, a free license that allows commercial use, as it is entitled to do so under Article 24-2 §3. This would be consistent with its stated aim to promote Korea to the widest possible foreign audience (Article 24-2 §2).

As previously noted, I don’t believe the specifics of the departments within MCST are crucial. MCST’s overarching statutory authority has ensured a consistent and legally sound licensing continuity. In any case, state and local government branches have the statutory authority to issue a free photo of a copyrighted public work as per Article 24-2 §3.

Potential Future Disputes

Now let’s turn our attention to your example of the US-based T-Shirt manufacturer who prints the photo for sale in the US.

• Jurisdiction and Creative Commons Licenses: To my knowledge, Creative Commons licenses do not specify a specific jurisdiction for dispute resolution. Both Korea and the US are members of international agreements like the Berne Convention, WTO, WIPO, and have signed the KORUS FTA, which should provide a comprehensive framework for copyright disputes. Both countries have independent judiciaries from their governments.
• Hosting and Legal Framework: Flickr, where the photo is hosted, operates under US jurisdiction, and its terms of service state that disputes will be arbitrated under California law. This means any issues related to the photo’s licensing on Flickr would likely be subject to US legal principles and arbitration processes.
• MCST’s Role as Licensing Authority: The Ministry of Culture, Sports, and Tourism (MCST) re-uploaded the photo to Flickr under a CC BY-SA 2.0 license, which allows for commercial use. Given that MCST controlled the copyright at this point and has explicitly licensed the photo under these terms, the license is legally binding and irrevocable under Creative Commons guidelines. Notably, this specific license applies only to the photograph, not the statue in general (it does not rely on FoP in any way), and doing this is within MCST’s authority under Article 24-2 §3 of the Korean Copyright Act.
• Dispute Outcomes: Courts in both Korea and the US are likely to uphold the terms of the Creative Commons license, acknowledging the good faith in which the license was granted. Should MCST attempt to rescind the license or claim a mistake, courts in both Korea and the US would likely reject such claims, reinforcing the irrevocability of the Creative Commons license once granted.
• Departmental Consistency: Despite the previously mentioned administrative changes in which department manages the copyright, MCST has retained overarching authority to issue licenses for public copyrighted works throughout, ensuring consistency in this licensing process.
• Practical Implications: If a dispute arose, courts would likely defer to the terms of the Creative Commons license and the principles of the Berne Convention, ensuring the photo’s continued use under the CC BY-SA 2.0 license. This would mean that any commercial use by the US-based T-Shirt manufacturer is legally permissible.

Conclusion

In conclusion, the combined effect of international agreements, the irrevocable nature of Creative Commons licenses, and the administrative consistency within the Ministry of Culture, Sports and Tourism supports the argument that the photo is legally usable under its current license. Courts in both Korea and the US jurisdictions would likely enforce this.

• Final Point on {{Not-free-US-FOP}} - If I have understood correctly, this is used when a photo has been obtained by FoP of a copyrighted work? FoP is an exemption to obtaining a license and has not been used here. The photo is a specific, properly licensed, separate derivative work (a photo) that is owned and controlled by the same organization that controls the copyright for the statue. Thus, no FoP claim is needed for the derivative work in question here. Nonabelian (talk) 14:36, 4 July 2024 (UTC)

@Nonabelian I'll wait for the response of the two Korean-speaking users that I pinged above (one of them, Explicit, is an admin here). JWilz12345 (Talk|Contrib's.) 15:32, 4 July 2024 (UTC)

@JWilz12345: Seems sensible. I'll look to tidy up the referencing here if I get a spare moment. Nonabelian (talk) 20:47, 4 July 2024 (UTC)

References

File:Aoitrelliaskye.png

Please undelete this one, it were used to illustrate furries on Vikidia and now it's gone... --LeNuzlockeur (talk) 18:44, 6 July 2024 (UTC)

@LeNuzlockeur: there are many, many pictures of furries on Commons. An COM:INUSE file should almost never be deleted but this seems rather trivial and can be fixed without filing an undeletion request Dronebogus (talk) 09:13, 8 July 2024 (UTC)

 Info per Commons Delinker logs the file was not used while deleted. If it is needed for an existing article, more detailed information should be provided: which article exactly and why other files do not fit the requirements. Ankry (talk) 09:32, 13 July 2024 (UTC)

The claim is that it was in use on Vikidia, not a WMF wiki; non-Wikimedia wiki projects can use Commons images directly, but it won't show up in Delinker logs.--Prosfilaes (talk) 10:42, 16 July 2024 (UTC)

Vikidia:Special:Diff/2105225 --Geohakkeri (talk) 08:41, 17 July 2024 (UTC)

File:Aurich, Lambertikirche (19).jpg, File:Aurich, Lambertikirche (18).jpg, File:Aurich, Lambertikirche (16) 2.jpg

No protected 1960 interior as krd errorously tells. Photographer is the organ builder himself, iirc. Discussion: Commons:Deletion requests/Files in Category:Pipe organ of Lambertikirche Aurich --Subbass1 (talk) 17:26, 12 July 2024 (UTC)

The DR Commons:Deletion requests/Files in Category:Pipe organ of Lambertikirche Aurich was closed on the statement that the pipe organ is protected. The architecture seemed to not be an issue. Abzeronow (talk) 17:49, 12 July 2024 (UTC)

As I wrote: Photographer is the organ builder himself, iirc. Besides that on commons an organ case is never protected and is shown thousands of times. --Subbass1 (talk) 17:52, 12 July 2024 (UTC)

• As noted in the DR, the problem here is not the organ itself, but the church architecture, which is modern and likely copyrighted.  Oppose unless we have a free license permission from the architect also or an evidence that the church architect died more than 70 years ago.

If the images are cropped / altered to show the organ only and the church architecture in the background / surroundings is not shown at all or minimized, the photos may be OK. Ankry (talk) 11:12, 13 July 2024 (UTC)

The church architecture is not "modern". Try reading the german Wikipedia article. --Subbass1 (talk) 11:23, 13 July 2024 (UTC)

OK. It is from 1830s, I withdraw my comment. Ankry (talk) 16:28, 13 July 2024 (UTC)

 Oppose I think Abzeronow has it right -- perhaps User:Ankry should read the DR again. The problem here is that the design of the organ case goes way beyond utilitarian and therefore has its own copyright. If, as claimed above, the organ builder actually took the pictures, then a note to VRT from an address at https://www.orgelbau-ahrend.de/ should be easy to get (The other named builder, Gerhard Brunzema, died in 1992). .     Jim . . . (Jameslwoodward) (talk to me) 13:53, 13 July 2024 (UTC)

The VRT team of course already has a permission from Hendrik AHrend for the pictures. For the organ case itself it's not necessary (but here included..), in common use on Commons. --Subbass1 (talk) 13:56, 13 July 2024 (UTC)

Per the DR, we have the photographer's permission per ticket:2023120810006959. If that photographer and the organ builder is one and the same person (which I did not know until User:Subbass1 wrote it here, and which was not mentioned in either the previous undeletion request or the deletion request), that ticket should be re-evaluated to see if the permission also covers the organ itself. Else a new permission which explicitly covers both the photographs and the organ design should be sent. --Rosenzweig τ 14:00, 13 July 2024 (UTC)

Again: it's NOT necessary to have a permission for organ cases on commons. Just keep doing so to scare away the last people who provide pictures. In this case, unfortunately, even the "superintendent" had to deal with the claim of a "modern church design". Ridiculous. --Subbass1 (talk) 14:08, 13 July 2024 (UTC)

If I understand correctly the situation, these photos of the organ are offered under a free license by the copyright owner of both the organ and the photos. Therefore, there is no problem of copyright violation with these photos. These photos of the organ are fine and free to use and have all the permissions necessary. The organ itself does not need to be offered under a free license. There is no need to force the organ builder to allow his competitors to build identical organs. -- Asclepias (talk) 14:58, 13 July 2024 (UTC)

•  Support As discussed in the first round at Commons:Undeletion requests/Archive/2024-04#Aurich, the only goal of sending these files to a deletion request was to clarify the status of the church architecture, and on that point the closing administrator of that DR agreed that the church architecture is not a problem. The VRT permission 2023120810006959 from Hendrik Ahrend for the photos of the organ was not disputed. The organ is attributed to the organ building business [1]. It was built when the father of Hendrik owned the business. Hendrik Ahrend is now the owner of the business. (Hendrik himself also worked on the organ in 2022/2023.) He free licenses his photos of the organ. That's sufficient. We don't need to require that he sends another email to spell out that as the owner of the business he's giving the permission to himself to show the organ in his own photos, nor that his 94 year old father send an email as former owner. -- Asclepias (talk) 14:58, 13 July 2024 (UTC)

  never ever Ahrend has to prove anything further. I don't wish that he is contacted from hee again, ok? Instead some persons here should overthink their behaviour (and knowledge) and inform themsleves better before making others lots of unnecessary work. --Subbass1 (talk) 17:59, 13 July 2024 (UTC)

File:Donald J Trump (realDonaldTrump) Twitter - публикация от 2020-05-29.png

Work by the federal government. No copyrightable elements. Anything else but the quote itself is PD-simple--Trade (talk) 12:17, 14 July 2024 (UTC)

Contains a Twitter disclaimer that the tweet breaks the site rules, and Twitter is not owned nor was ever owned by the federal government. Abzeronow (talk) 17:29, 14 July 2024 (UTC)

Do you believe that the disclaimer is above threshold of originality in the US? @Jmabel: --Trade (talk) 17:31, 16 July 2024 (UTC)

I honestly have no idea, and quite frankly would rather stay out of this. - Jmabel ! talk 21:03, 16 July 2024 (UTC)

 Oppose Trump's remark is more political than presidential, so it could be argued that it does not fall under the exemption for works created by Federal employees in the course of their Federal duties. However, that question is moot, because the two sentences written by Twitter clearly have a copyright belonging to Twitter. .     Jim . . . (Jameslwoodward) (talk to me) 12:50, 15 July 2024 (UTC)

• Trump's tweet may be in the public domain (as most of his tweets during his presidency) but as Jim says the Twitter one is doubtfully PD. Maybe a compromise would be to restore only Trump's tweet? Bedivere (talk) 13:04, 15 July 2024 (UTC)

Yeah, I'd be OK with just restoring Trump's tweet. The circumstances of Twitter disclaiming the tweet can be paraphrased in the description. Abzeronow (talk) 16:18, 15 July 2024 (UTC)

It's debatable if such a short and generic disclaimer somehow gets to benefit from copyright protection Trade (talk) 22:28, 16 July 2024 (UTC)

 Oppose It's from his personal account. The office of the President has its own account. The Squirrel Conspiracy (talk) 17:06, 15 July 2024 (UTC)

DOJ said in 2017 that tweets from that account were official presidential statements. https://www.abajournal.com/news/article/government_says_trumps_tweets_are_official_presidential_statements This year, SCOTUS also ruled that officials use of social media could be state actions: https://www.nbcnews.com/politics/supreme-court/supreme-court-outlines-officials-can-sued-blocking-people-social-media-rcna135128 So it's not clear cut if this was a personal statement or a presidential one. Abzeronow (talk) 17:22, 15 July 2024 (UTC)

That is correct. These tweets are in the public domain as the work of an employee of the Executive Office of the President of the US, made as part of his duties. Also, as a work of the US federal government, these tweets are in the public domain. Bedivere (talk) 17:34, 15 July 2024 (UTC)

As I noted above, I don't think it is clear that Trump's remarks are PD. While anything he does acting as President certainly is PD, things he does as a candidate for office --in this case his running for reelection in 2020 -- are personal and not PD. This looks to me more political than presidential. Note that the SCOTUS decision says they "could be state actions", not that they always are state actions. .     Jim . . . (Jameslwoodward) (talk to me) 18:33, 15 July 2024 (UTC)

Yes, but at the time of the posting he was still a president, and if you check their tweets all over his presidency, they are very much alike that one. That's why I'm inclined to consider this one PD. Bedivere (talk) 18:39, 15 July 2024 (UTC)

Images of Palazzo Minerva

Hi everyone. I'm writing here in order to ask for the undeletion of two images:

• File:Palazzo Minerva, già Casa del Fascio (2) (Minerbio).jpg
• File:Palazzo Minerva, già Casa del Fascio (Minerbio).jpg

They both depict Palazzo Minerva, a building in en:Minerbio, at that time seat of the local fascist party, and now movie theater and theater. They were both deleted after this DR in 2015. As it can be read here, the project of the building was commissioned to the architect Gian Luigi Giordani by the local podestà (the mayor), and its construction was paid by the municipality and the local fascist party (it's uninimportant for us since the copyright law considers the fascist party as if it was part of the public administration). The original construction was finished in 1934. Therefore, the building fell into Template:PD-ItalyGov in 1955. It was built way before 1990 so no issue with US copyright. The copyright warning that is now present in Category:Palazzo Minerva, già Casa del Fascio (Minerbio) should be removed accordingly.--Friniate (talk) 21:46, 16 July 2024 (UTC)

•  Support Clearly PD. --Adamant1 (talk) 22:31, 16 July 2024 (UTC)

File:Cosplay of Denji, Power and Reze from Chainsaw Man at FanimeCon 2023 (53056133958).jpg

The focus in this photo is very clearly on the cosplay, not the plushie itself--Trade (talk) 23:28, 16 July 2024 (UTC)

 Restore I agree with Trade on this one. The Squirrel Conspiracy (talk) 02:53, 17 July 2024 (UTC)

 Oppose I agree that the plushies are de minimis, but the two masked characters in the center of the image have copyrights -- the masks remove the costumes from being utilitarian. .     Jim . . . (Jameslwoodward) (talk to me) 13:10, 17 July 2024 (UTC)

File:Afsaneh-Salari-scaled.jpg

File:Afsaneh-Salari-scaled.jpg was deleted a few weeks back per Commons:Deletion requests/File:Afsaneh-Salari-scaled.jpg. The same image was subsequently uploaded locally to English Wikipedia as en:File:Afsaneh-Salari-scaled.jpg under an acceptable CC license based on the discussion at en:User talk:Mr.izadpanah#File permission problem with File:Afsaneh-Salari-scaled.jpg. It appears that a free license declaration has been added to the photo's source website. If this is sufficient enough for Commons, then perhaps this file could be restored to allow the local file to be deleted per en:WP:F8. For reference, I didn't ask the deleting Commons admin about this at User talk:Minorax#Commons:Deletion requests/File:Afsaneh-Salari-scaled.jpg last week, but they might just be busy with other stuff and haven't had the time to respond. -- Marchjuly (talk) 00:58, 17 July 2024 (UTC)

 Oppose There is no author listed at the named site, so the CC-BY license is not valid because a user cannot give the required credit. It also appears without a free license in a variety of other places. .     Jim . . . (Jameslwoodward) (talk to me) 13:08, 17 July 2024 (UTC)

@Jameslwoodward: Thank you for taking a look at this. I've let the uploader of the image know about this on their English Wikipedia user talk page, and suggested they comment here if they want to try to clarify things. If this file can't be restored for the issues you laid out above, then the English Wikipedia local file probably needs to be deleted. -- Marchjuly (talk) 04:32, 18 July 2024 (UTC)

File:moc mashhad.png

تصویر وارد شده جهت ارائه تبلیغات نیست و صرفا جهت ثبت پیشینه یکی از بزرگ ترین شرکت های عدسی طبی در ایران آپلود شده است. — Preceding unsigned comment added by Mocmashhad (talk • contribs) 06:06, 17 July 2024‎ (UTC)

• Signing your posts is required on talk pages and it is a Commons policy to sign your posts on deletion requests, undeletion requests, and noticeboards. To do so, simply add four tildes (~~~~) at the end of your comments. Your user name or IP address (if you are not logged in) and a timestamp will then automatically be added when you save your comment. Signing your comments helps people to find out who said something and provides them with a link to your user/talk page (for further discussion). Thank you.

[Google translation, "The uploaded image is not for advertising purposes and is uploaded only to record the background of one of the largest medical lens companies in Iran."]

---

 Not done: no file of that name exists. --Bedivere (talk) 07:49, 17 July 2024 (UTC)

Reopened. File is File:MOC Mashhad.png -- capitalization is significant in file names.

 Oppose File was deleted for being an advertisement for "Mashhad Optical Center". There are no Google hits for that name, so I think it is far from being useful for our purposes. .     Jim . . . (Jameslwoodward) (talk to me) 13:21, 17 July 2024 (UTC)

File:Kim_mcguinness.jpg

I am the owner of this photo, I took it. I then cropped it so that other subjects weren't in the picture. How can i further prove this?

--Hrg08 (talk) 15:17, 17 July 2024 (UTC)

 Oppose photo taken from McGuiness' Twitter. @Hrg08: if you are indeed the photographer, please send a explicit permission to COM:VRT. Günther Frager (talk) 15:29, 17 July 2024 (UTC)

File:King Faisal mosque Sharjah.jpg

Please restore the following pages:

• File:King Faisal mosque Sharjah.jpg (edit · last · history · watch · unwatch · global usage · logs · purge · w · search · links · DR · del · undel · Delinker log)

Reason: deleted for no-FOP reason. But as per recent discussion, summarized at COM:UAE, Emirati works completed or published before March 1993 are automatically in P.D.. w:en:King Faisal Mosque, Sharjah states the building was completed in 1987. JWilz12345 (Talk|Contrib's.) 07:49, 18 July 2024 (UTC)